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Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki,
gDrawing as the relative movement between subject and medium:
Using a robot to show the subjectivity in dynamic flows of consciousness,h
In Y. Suzuki and M. Hagiya (Eds.), Recent Advances in Natural Computing:
Selected Results from the IWNC 8 Symposium, Mathematics for Industry,
Vol. 14, pp.81-108, 2015 (9/10)

ŒãˆÀ”ü‹IC’Ò“cŸ‹gCÎì‘얁C‚“ˆWˆêC–ØŒ´iC‰ªú±Š£“ñ˜YC
gŽÕ•Á‰‚ª‘n‚èo‚·•ïˆÍ‹óŠÔ‚̉œs‚«FŠG‰æ‚É‚¨‚¯‚é‹óŠÔ•\Œ»‚ÌŒ¤‹†Ch
¶‘ԐS—ŠwŒ¤‹†CVol. 8, No. 1, pp.33-47C2015@

Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki,
gThe generation of emotional transmission via medium-perceiving drawing
system and the plasticity of subjects,h In Y. Suzuki and M. Hagiya (Eds.),
Recent Advances in Natural Computing: Selected Results from the IWNC 7 Symposium,
Mathematics for Industry, Vol. 9, pp.99-112, 2014

Miki Goan, Katsuyoshi Tsujita, Takuma Ishikawa, Shinichi Takashima, Susumu Kihara
and Kenjiro Okazaki, gPerceiving the Gap: Asynchronous Coordination of Plural
Algorithms and Disconnected Logical Types in Ambient Space,h
In Y. Suzuki and T. Nakagaki (Eds.), Natural Computing and Beyond,
WSH 2011 and IWNC 2012, PICT, Vol.6, pp.130-147, 2013

ŒãˆÀ”ü‹IC’Ò“cŸ‹gC@g‰‰Œ€‘nì‚É‚¨‚¯‚éƒVƒXƒeƒ€ƒ_ƒCƒiƒ~ƒNƒXCh@”F’m‰ÈŠwC
Vol.14, No.4, pp.509-531, 2007

GOAN, M., FUJII, H. & OKADA, M.,
gChild-robot interaction mediated by building blocks:
From field observation in a public space,
h Artificial life and robotics, Vol.10, No.1,
pp. 45-48, 2006


ŒãˆÀ”ü‹ICg‘n‘¢‰ß’ö‚É‚¨‚¯‚é’mŠo‚ƍsˆ×‚̃JƒbƒvƒŠƒ“ƒOCh
”F’m‰ÈŠwCVol.11, No.1, pp.12-16, 2004 (PDF)


–{‘½Œ[CŒãˆÀ”ü‹ICâ–{^Ž÷C g¶‘ԐS—Šw“IŽ‹“_‚ÉŠî‚­”F’m˜_“IŒ¾ŒêŒ¤‹†‚̉”\«Ch
“ú–{”F’mŒ¾ŒêŠw‰ï˜_•¶W, Vol.‚R, pp.347-358, 2003@

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TSUJITA, K., & GOAN, M., gA Simulation approach for an infant robot to understand
the acquisition process of human locomotion,h D. Chugo, & S. Yokota (Eds.), Introduction
of Modern Robotics, iConcept Press, 2011

ŒãˆÀ”ü‹IC’Ò“cŸ‹gC gŒ»‘㉉Œ€‚̏˜”j‹}‚ɂ‚¢‚āCh wŽ©ŒÈ‘gD‰»ƒnƒ“ƒhƒuƒbƒNxC
‘•–LŠìiŠÄCjC ‰º‘º­ŽkEŽRŒû ’q•Fi•ÒjC Š”Ž®‰ïŽÐƒGƒkEƒeƒB[EƒGƒXC pp.892-895,
2009

ŒãˆÀ”ü‹IC’Ò“cŸ‹gC g‰‰Œ€‚Ì’˜Œ`¬Ch wŽ©ŒÈ‘gD‰»ƒnƒ“ƒhƒuƒbƒNxC ‘•–LŠìiŠÄCjC
‰º‘º­ŽkEŽRŒû ’q•Fi•ÒjC Š”Ž®‰ïŽÐƒGƒkEƒeƒB[EƒGƒXC pp.896-897, 2009


ŒãˆÀ”ü‹I, g‰‰Œ€‚Æ“¯Žž‘½”­‰ï˜bCh²X–ؐ³li•Òj, wƒA[ƒg^•\Œ»‚·‚ég‘́F
ƒAƒtƒH[ƒ_ƒ“ƒX‚ÌŒ»êx, pp.25-54C“Œ‹ž‘åŠwo”ʼnïC2006

ŒãˆÀ”ü‹ICg‚ä‚Á‚­‚è‚Æ•’Ê‚É•à‚­F‘¾“cÈŒá‚Ì•‘‘äŒmŒÃ‚É‚¨‚¯‚é”o—D‚̉^“®§ŒäCh
‰ª“c”ü’q’jEŽO“ˆ”Ž”VE²X–ؐ³li•Òj,@wbit•ÊûFg‘̐«‚ƃRƒ“ƒsƒ…[ƒ^x‘æ‚V•”‚PÍ,@
‹¤—§o”Å
, pp.352-363, 2000@


ŒãˆÀ”ü‹ICgŽ©ŒÈ’èˆÊ‚·‚銴Šo‚Ƃ͉½‚©Ch‘º–ìˆä‹ÏEŽO“ˆ”Ž”VEŠ£ºŽ¡E‘å–ì–Ø—T–¾i•Òj,
wŠwZ‚Æ’nˆæ‚ňç‚Ă郁ƒfƒBƒAƒŠƒeƒ‰ƒV[x‘æ‚P‚RÍ,@ƒiƒJƒjƒVƒ„o”Å, pp.139-148, 1999


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ŒãˆÀ”ü‹ICg•‘‘äã‚É•`‚©‚ê‚é“®‚«‚̐݌v}‚ðì‚éF‰‰o‰Æ‚ÌŽdŽ–‚ɂ‚¢‚āCh
²“¡—R‹ICa’J—F‹ICˆÀ“¡‰ÔŒbCŒãˆÀ”ü‹I Šé‰æCƒI[ƒKƒiƒCƒYƒhƒZƒbƒVƒ‡ƒ“
u”F’m‰ÈŠw‚Í•‘‘äŒ|p‚ðŒê‚ê‚é‚Ì‚©HvC“ú–{”F’m‰ÈŠw‰ï‘æ33‰ñ‘å‰ï´˜^WCpp.23-24C
–kŠC“¹‘åŠwC2016i9/16-18, ”­•\“ú‚Í9/16j

’Ò“cŸ‹gCŒãˆÀ”ü‹IC‰ªú±Š£“ñ˜YC g‘Š‘Ή^“®ƒƒ{ƒbƒg‚ð—p‚¢‚½GŠo‚É‚æ‚鎩ŒÈ‰^“®ƒpƒ^[ƒ“‚Ì‘z‹NCh
¶‘ԐS—ŠwŒ¤‹†CVol. 9, No. 1, pp.31-34C“ú–{¶‘ԐS—Šw‰ï‘æ6‰ñŒ¤‹†‘å‰ï—\eC
–kŠCŠw‰€‘åŠwC2016 (9/3-4, ”­•\“ú‚Í9/3)

Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki, gMedium Perception Robots,h
Proc. of the 18th International Conference on Perception and Action (ICPA 18), p.81,
Minneapolis, Minnesota in the United States, July 14-18, 2015

Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki, gDrawing mediated by
medium perception robots,h The 9th International Workshop on Natural Computing (IWNC 9),
Ito International Research Center, the University of Tokyo, JAPAN, March 13, 2015

ŒãˆÀ”ü‹IC gGŠo‚É‚æ‚éŒÂlŽ¯•Ê‚ɂ‚¢‚āCh –@‚ƐS—Šw‰ï‘æ‚P‚T‰ñ‘å‰ï—\eWCp.2,
ŠÖ¼Šw‰@‘åŠwC2014 (10/25-26, ”­•\“ú‚Í10/25)@

YABUKI, K., TSUJITA, K., GOAN, M., KIHARA, S., & OKAZAKI, K.,
gPoint contact and relative motion of drawing can identify individual traits,h
Proc. of the 2014 IEEE International Conference on Systems, Man, and Cybernetics
(SMC2014), pp.1254-1259, San Diego, CA, USA, October 5 -8, 2014 (”­•\“ú‚Í10/6)

ŒãˆÀ”ü‹IC’Ò“cŸ‹gC–ØŒ´iC‰ªú±Š£“ñ˜YC
g“_ÚG‚Æ‘Š‘Ή^“®‚É‚æ‚é•`‰æŽÒ‚̌l“¯’èCh “ú–{¶‘ԐS—Šw‰ï‘æ5‰ñ‘å‰ï”­•\˜_•¶WC
pp.37-45, –L‹´‹Zp‰ÈŠw‘åŠwC2014 (7/12-13, ”­•\“ú‚Í7/13)

Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki,
gDrawing as the relative movement between subject and medium,h Booklet
(Abstracts & Program) of the 8th International Workshop on Natural Computing
(IWNC 8), p.14, Hiroshima YMCA, Hiroshima, Japan, March 18 -19, 2014
(”­•\“ú‚Í3/19)

‰ªú±Š£“ñ˜YC’Ò“cŸ‹gCŒãˆÀ”ü‹IC•Ÿ“‡^lC
g“®“I‚Ȉӎ¯‚Ì—¬‚ê‚É‚¨‚¢‚ÄŽå‘̐«‚ð”­Œ»‚³‚¹‚é•`‰æƒƒ{ƒbƒgCh
“ú–{”F’m‰ÈŠw‰ï‘æ30‰ñ‘å‰ï˜_•¶WCpp.691-698C‹Êì‘åŠwC2013
i9/12-14, ”­•\“ú‚Í9/12j


Miki Goan, Katsuyoshi Tsujita, Takuma Ishikawa, Shinichi Takashima,
Susumu Kihara and Kenjiro Okazaki, gA Step up in logical type as
seen in gFigure-Ground Reversalh: Ambient space represented on
painting on surfaces,h Book of abstracts of the 17th International
Conference on Perception and Action (ICPA 17), pp.52-53, Estoril,
Portugal, July 8 -11, 2013


Miki Goan, Katsuyoshi Tsujita, Susumu Kihara and Kenjiro Okazaki,
gSeparation of iconography and expression of space based on the
self-motion perception in drawing,h Booklet (Abstracts & Program)
of the 7th International Workshop on Natural Computing (IWNC 7),
p.13, Sanjo Conference Hall, The University of Tokyo, Japan, March
19 -22, 2013 (3/21)

ŒãˆÀ”ü‹IC’Ò“cŸ‹gCÎì‘얁C‚“ˆWˆêC–ØŒ´iC‰ªú±Š£“ñ˜YC
g–ʂ̃ŒƒCƒAƒEƒg’mŠo‚ð’Ê‚µ‚½§ì‹Zp‚ƍì•iŠÏÜ‰ß’ö‚Ì“¯Žž”cˆ¬Ch
“ú–{¶‘ԐS—Šw‰ï‘æ‚S‰ñ‘å‰ï”­•\˜_•¶WCpp.86-89, Œö—§‚Í‚±‚¾‚Ä–¢—ˆ‘åŠwC2012 (7/7-8)

GOAN, M., gPerception of pictures comes from an understanding of the production process of
painting,h Proc. of the 6th International Workshop on Natural Computing (IWNC 6), p.10,
Sanjo Conference Hall, The University of Tokyo, Japan, March 28 -30, 2012

ŒãˆÀ”ü‹IC g‘z‹N‚·‚ég‘́FÁ‚¦‚½ƒ}ƒCƒNƒƒXƒŠƒbƒv‚ð‚ß‚®‚éŒê‚è‚̐S—EŒ¾ŒêŠw“IlŽ@Ch
–@‚ƐS—Šw‰ï‘æ‚P‚Q‰ñ‘å‰ï—\eWCp.12, –¼ŒÃ‰®‘åŠwC2011 (10/1-2)@
i‘æ1‰ñ‘å‰ï”­•\ÜŽóÜj


GOAN, M., & TSUJITA, K., gDirect and Indirect Control of Collective Human Action in
a Medium-Sized Drama System,h Proc. of the 16th International Conference on
Perception and Action (ICPA 16), p.151, Ouro Preto, Brazil, July 6 -10, 2011

ŒãˆÀ”ü‹IC[’J‘ñŒáC’Ò“cŸ‹gC g—h‚炬‚ð‚à‚Á‚Ä’²˜a‚·‚éF”o—D‚Ì”­˜bƒ^ƒCƒ~ƒ“ƒO’²®
‚ɑ΂·‚é’è—ʉðÍCh “ú–{”F’m‰ÈŠw‰ï‘æ‚Q‚U‰ñ‘å‰ï”­•\˜_•¶WCpp.148-149, Œcœä‹`m‘åŠwC
2009 (9/10-12)

ŒãˆÀ”ü‹IC g”­˜bƒ^ƒCƒ~ƒ“ƒOƒpƒ^[ƒ“‚Ì—ŽG‚³‚ɂ‚¢‚āi’ù³”ŁjCh “ú–{S—Šw‰ï‘æ‚V‚R‰ñ‘å‰ïC
p.1047, —§–½ŠÙ‘åŠwC2009 (8/26-28)

GOAN, M., FUKAYA, T., & TSUJITA, K., gFluctuation and coherence in well-designed art,h
Proc. of the 15th International Conference on Perception and Action (ICPA 15), p.100,
Minneapolis, Minnesota in the United States, July 12 -17, 2009

GOAN, M., FUKAYA, T., & TSUJITA, K., gThe More Rehearsal, the More Noise in Timing Patterns,h
The 20th International Conference on Noise and Fluctuations (ICNF 2009), pp.559-562, Pisa, Italy,
June 14 -19, 2009

GOAN, M., gScientifically Minding Theatre,h Panel discussion of the 2nd Conference,
International Association of Performing Language (IAPL 2009), University of Victoria,
Canada, March 6-8, 2009 (Invited)

ŒãˆÀ”ü‹ICg”­˜bƒ^ƒCƒ~ƒ“ƒO‚Ì—ŽG‚³‚ɂ‚¢‚āCh “ú–{S—Šw‰ï‘æ‚V‚Q‰ñ‘å‰ïC
–kŠC“¹‘åŠwCp.450, 2008 (9/19-21)

ŒãˆÀ”ü‹IC[’J‘ñŒáC’Ò“cŸ‹gCg“¯Žž‘½”­‰ï˜b‚ð\’z‚·‚鉉o‰Æ‚̃XƒLƒ‹Ch
“ú–{”F’m‰ÈŠw‰ï‘æ‚Q‚T‰ñ‘å‰ï”­•\˜_•¶WC“¯ŽuŽÐ‘åŠwCpp.134-137C2008 (9/5-7) (PDF)


•ÄàV‘ñŒáC’|‘ºˆŸ‹IŽqCŒãˆÀ”ü‹IC g‰‰o‰Æ‚ÌŽ‹ü‚ð’Ê‚µ‚½ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“•ªÍF
“ñŽÒŠÔ‰ï˜b‚Æ“¯Žž‘½”­‰ï˜bƒV[ƒ“‚Ì”äŠrCh “ú–{¶‘ԐS—Šw‰ï‘æ‚Q‰ñ‘å‰ï”­•\˜_•¶WC
pp.31-32CŽD–yŠw‰@‘åŠwC2008 (8/23-24)

GOAN, M., FUKAYA, T., & TSUJITA, K., gTwo Succeeding Stages in Acquisition Process of
a Rehearsed Drama: Applying System Dynamics to Human Collaborative Behavior,h
The 2nd International Conference on Knowledge Generation, Communication and Management
(KGCM 2008), Proc. of The 12th World Multi-Conference on Systemics, Cybernetics and
Informatics (WMSCI2008), Vol.VII, pp.126-131, Orlando, Florida, USA, June 29 - July 2, 2008

GOAN, M.., FUKAYA, T., & TSUJITA, K., gA study of creative process of making a drama from
viewpoint of system dynamics,h Proc. of the 2nd International Workshop on Kansei, pp.4-7,
ACROS Fukuoka, Fukuoka, Japan, March 7-8, 2008


GOAN, M. & FUKAYA, T., gTiming makes meaning: Protocol analysis on directions during
creation in a drama-making process,h pp. 68-75, Proc. of International symposium on
skill science 2007 (ISSSf07), Keio University, Tokyo, Japan, September 18 -20, 2007

ŒãˆÀ”ü‹ICgƒ^ƒCƒ~ƒ“ƒO‚Ì‹¦’²‚ªˆÓ–¡‚𐶂ݏo‚·F‰‰Œ€‘nì‰ß’ö‚É‚¨‚¯‚éŽwŽ¦‚Ì•ªÍCh
“ú–{S—Šw‰ï‘æ‚V‚P‰ñ‘å‰ïC p.980C2007 (9/18-20)

ŒãˆÀ”ü‹IC’Ò“cŸ‹gCg‰‰Œ€‘nì‰ß’ö‚̃VƒXƒeƒ€˜_“I—‰ðF˜”ji‹}j‰¼à‚Æ•]‰¿Šî€‚Ì
Ž©ŒÈ¶¬‚ɂ‚¢‚āCh “ú–{”F’m‰ÈŠw‰ï‘æ‚Q‚S‰ñ‘å‰ï”­•\˜_•¶WCpp.376-381C 2007 (9/3-5)

GOAN, M. & TSUJITA, K., gTwo succeeding stages in acquisition process of acting
performance: A study on actorsf skill in controlling speech timing,hS. Cummins-Sebree,
M. Riley, & K. Shockley (Eds.) Studies in Perception & Action IX, pp. 61-63, Proc. of
the 14th International Conference on Perception and Action (ICPA 14), Yokohama
Aka-Renga Soko No.1, Japan, July 1 -6, 2007

GOAN, M. & TSUJITA, K., gAnalysis of the creation of a drama-making process by dynamical
systems approach,h S. Cummins-Sebree, M. Riley, & K. Shockley (Eds.) Studies in Perception
& Action IX, pp. 57-60, Proc. of the 14th International Conference on Perception and Action
(ICPA 14), Yokohama Aka-Renga Soko No.1, Japan, July 1 -6, 2007

ŒãˆÀ”ü‹ICguˆÓ}“I‚ȃ‰ƒ“ƒ_ƒ€‚ȍsˆ×v‚Í‚ ‚肦‚é‚Ì‚©F˜”ji‹}j‰¼à‚Ì’ñˆÄCh

“ú–{S—Šw‰ï‘æ‚V‚O‰ñ‘å‰ïCp.1093C2006


ŒãˆÀ”ü‹ICguˆÓ}“I‚ȃ‰ƒ“ƒ_ƒ€‚ȍsˆ×v‚ɂ‚¢‚āCh
“ú–{”F’m‰ÈŠw‰ï‘æ‚Q‚R‰ñ‘å‰ï”­•\˜_•¶WCpp.312-313C 2006

ŒãˆÀ”ü‹IC’Ò“cŸ‹gCgÄ‹A’è—ʉ»•ªÍ‚ð—p‚¢‚½”­˜bsˆ×‚ÌŽžŠÔƒXƒP[ƒ‹‚̐„’èCh
“ú–{S—Šw‰ï‘æ‚U‚X‰ñ‘å‰ïCp.1091C2005


ŒãˆÀ”ü‹IC’Ò“cŸ‹gCg”­˜bŽžŒn—ñƒf[ƒ^‚©‚ç‚ÌŽžŠÔƒXƒP[ƒ‹‚̐„’èCh
“ú–{”F’m‰ÈŠw‰ï‘æ‚Q‚Q‰ñ‘å‰ï”­•\˜_•¶WCpp.240-241C 2005


OKADA, M. & GOAN, M., gModeling sociable artificial creatures: Findings from the Muu project,h
Studies in Perception and Action VIII: 13th International Conference on Perception and Action
 (ICPA 13), p.55, Asilomar Conference Center/ Monterey, California, USA, July 5-10, 2005

MATSUMOTO, N., FUJII, H., GOAN, M., & OKADA, M., gMinimal Design Strategy for Embodied
Communication Agents,
h Proc. of 14th IEEE International Workshop on Robot and Human
Interactive Communication (RO-MAN2005), pp335-340, 2005


MATSUMOTO, N., FUJII, H., GOAN, M., & OKADA, M., gMinimal communication design of
embodied interface,
h Proc. of the Third International Conference on Active Media Technology
(AMT2005), pp.335-340, Kagawa International Conference Hall, Takamatsu, Kagawa, Japan,
May 19-21, 2005.


ŒãˆÀ”ü‹IC“¡ˆä—m”VC‰ª“c”ü’q’jCgŽq‚Ç‚à‚ƃƒ{ƒbƒg‚̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“‚ð‰Â”\‚É‚·‚é
•ƒe‚ÌŠÖ‚í‚èE•êe‚ÌŠÖ‚í‚èFŒö‹¤Ž{Ý‚ł̃tƒB[ƒ‹ƒhŠÏŽ@‚©‚çCh
“ú–{”­’BS—Šw‰ï‘æ‚P‚U‰ñ‘å‰ï”­•\˜_•¶WCp.555, 2005

GOAN, M., FUJII, H. & OKADA, M., gChild-robot interaction mediated by building blocks:
From field observation in a public space,hProc. of the Tenth International Symposium on
Artificial Life and Robotics 2005 (AROB 10th '05),
pp. 194-197, @B-con@Plaza, Beppu, Oita,
Japan, February 4-6, 2005


LEE, M., GOAN, M. & OKADA, M., gDo complementarities exist in agent interactions?h
Proc. of the Tenth International Symposium on Artificial Life and Robotics 2005
(AROB 10th '05),
pp. 202-205, B-con@Plaza, Beppu, Oita, Japan, February 4-6, 2005


ŒãˆÀ”ü‹IC“¡ˆä—m”VC‰ª“c”ü’q’jCgŽq‚Ç‚à‚ƃƒ{ƒbƒg‚̃tƒ@[ƒXƒgƒRƒ“ƒ^ƒNƒgF
Œö‹¤Ž{Ý‚ł̃tƒB[ƒ‹ƒhŠÏŽ@‚©‚çChƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^[ƒtƒF[ƒXƒVƒ“ƒ|ƒWƒEƒ€2004˜_•¶WC
pp. 503-508C2004


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gŠÖŒW”­’B˜_“I‚ȃCƒ“ƒ^ƒtƒF[ƒX‚̍\’z‚Æ‚»‚̉ž—pCh
ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^[ƒtƒF[ƒXƒVƒ“ƒ|ƒWƒEƒ€2004˜_•¶WCpp. 223-226C2004


ŒãˆÀ”ü‹ICg‰‰Œ€‚ÌŒmŒÃ‚É‚¨‚¯‚é”­˜bƒ^ƒCƒ~ƒ“ƒO‚Ì‚Q’iŠKKn‰ß’öCh
“ú–{S—Šw‰ï‘æ‚U‚W‰ñ‘å‰ïC
p. 994C2004


ŒãˆÀ”ü‹IC’Ò“cŸ‹gCg‰‰Œ€‚Ì‘nì‰ß’ö‚É‚¨‚¯‚éŠÔÚ§Œä‚Æ•]‰¿Šî€‚ÌŽ©ŒÈ¶¬‚ɂ‚¢‚āCh
“ú–{”F’m‰ÈŠw‰ï‘æ21‰ñ‘å‰ï”­•\˜_•¶WCpp.288-289, 2004


–{‘½Œ[CŒãˆÀ”ü‹ICâ–{^Ž÷Cg¶‘ԐS—Šw“IŽ‹“_‚ÉŠî‚­”F’m˜_“IŒ¾ŒêŒ¤‹†‚̉”\«Ch
“ú–{”F’mŒ¾ŒêŠw‰ï˜_•¶W ‚R, pp.347-358, 2003

ŒãˆÀ”ü‹ICg‹K‘¥‚©‚çƒYƒŒ‚Ö‚Ì‚Q’iŠKƒpƒtƒH[ƒ}ƒ“ƒXKn‰ß’öF
•½“cƒIƒŠƒU‚Ɛ”N’c”o—D‚̉ï˜b\’zƒXƒLƒ‹‚ÉŠÖ‚·‚鎖—ጤ‹†Ch
‘æ‚S‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ïu‰‰˜_•¶W,
pp.408-409, 2003


ŒãˆÀ”ü‹ICgq–â‚̃eƒ“ƒ|‚Əî•ñ¶¬‚ÌŠÖŒWFsˆ×‚̈ø‚«ž‚ÝŒ»Û‚ÌŽ‹“_‚©‚çCh
–@‚ƐS—Šw‰ï‘æ‚Q‰ñ‘å‰ïC2001


ŒãˆÀ”ü‹ICg‰‰Œ€‚Ì‘nì‰ß’ö‚É‚¨‚¯‚é‰ï˜b‚̃ŠƒAƒŠƒeƒB\’zCh
“ú–{S—Šw‰ï‘è‚U‚S‰ñ‘å‰ï”­•\˜_•¶W,@p. 797, 2000


HARA, S., GOAN, M. OHASHI, Y. & Takagi, K., gHow we evaluate the credibility @
of written statements recorded under Japanese criminal investigation,h
Proc. of the XXVII International Congress of Psychology,

Stockholm International Fairs, Sweden, July 23-28, 2000


GOAN, M., gConversations as regulation of microslips: An analysis of Hirata's Method,h
Proc. of the Tenth International Conference on Perception and Action (ICPA 10),
Edinburgh University, Scotland, August 8 -13, 1999


ŒãˆÀ”ü‹ICg‹ŸqS—Šw‚ÌŽ‹“_i‚RjF‹ŸqŽÒ‚̐º‚Æ‘ÌŒ±‚ð‚Ç‚¤‘¨‚¦‚é‚©Ch
“ú–{S—Šw‰ï‘æ‚U‚Q‰ñ‘å‰ï”­•\˜_•¶WCp. 9C1998


GOAN, M., gEcological approaches to the simultaneous in conversations,h
Proc. of the Ninth International Conference on Perception and Action (ICPA 9),
University of Toronto, Canada, July 20-25, 1997


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ƒ[ƒNƒVƒ‡ƒbƒv‚¨‚æ‚ÑŒ¤‹†”­•\‰ïCŽi‰ïF‰ª“c‰·ŽiC‹ž“s‘åŠw‹g“c“ìƒLƒƒƒ“ƒpƒXC2016 (2/22)

ŒãˆÀ”ü‹IC(‰ªú±Š£“ñ˜YC’Ò“cŸ‹gCŽRèL‘¾CŠeŽ‚Æ‚Æ‚à‚É) gAsakusa Art Studium
Šm—¦“I‚É‘¶Ý‚·‚é‰^“®A‚ ‚é‚¢‚Í‘¶Ý‚Ì”Z“x‚ðl‚¦‚éBŒ|pE‰ÈŠw‚Ɛg‘Ì‚ð‚ß‚®‚é
ƒg[ƒNƒVƒŠ[ƒYCh Whenever Wherever Festival 2011CƒAƒTƒqEƒA[ƒgƒXƒNƒGƒAC
2011 (8/11) http://bodyartslabo.com/wwfes2011/festival/asakusa-art-studium.html

ŒãˆÀ”ü‹IC g‘•]@‰|–{”Ž–¾E‰ª“c“wE‰º“l•Ä~iŠÄCj^’‡^‹IŽqi•ÒjwŽ©ŒÈS—Šw‚S
\”F’mS—Šw‚ւ̃Aƒvƒ[ƒ`xCh –@‚ƐS—, Vol.9, No.1, pp.115-117, 2010@

ŒãˆÀ”ü‹ICg‘½l”‰ï˜b‚Æ“ñŽÒŠÔ‰ï˜b‚É‚¨‚¯‚é”o—D‚̐gU‚è‚̍·ˆÙ,h
iŽáŽèjgU‚èE‚µ‚®‚³Œ¤‹†ŽÒ‡hŒ¤‹†‰ï, Ã‰ªŒ§ˆÉ“ŒŽsCŽRŠì—·ŠÙC2009 (3/21-22)


ŒãˆÀ”ü‹ICg“¯Žž‘½”­‰ï˜b‚ð\’z‚·‚éƒXƒLƒ‹F‰‰o‰Æ‚Ì‚±‚Ƃ΁E”o—D‚̐gU‚è,h
“dŽqî•ñ’ʐMŠw‰ï HCG ‘æ‚RŽíŒ¤‹†‰ï ƒ”ƒ@[ƒoƒ‹Eƒmƒ“ƒ”ƒ@[ƒoƒ‹EƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“Œ¤‹†‰ï
(IEICE VNV)
C‹ž“s‘åŠw, 2008 (1/31)


GOAN, M., gA study on actors' skill in controlling speech timing: Oriza & Seinendan Method,h
Japanese Society for @Developmental Psychology International Workshop 2004,
August 23-26, Tokyo, Japan, 2004


ŒãˆÀ”ü‹ICg‘n‘¢‚É‚¨‚¯‚é’mŠo‚ƍsˆ×‚̃JƒbƒvƒŠƒ“ƒO,h “ú–{”F’m‰ÈŠw‰ï‚Q‚O‚O‚R”N
“~‚̃Vƒ“ƒ|ƒWƒEƒ€ u’mŠo‚Æ‘n‘¢vŽ‘—¿, pp.33-35, 2003


ŒãˆÀ”ü‹Ii–ójCg‰ï˜b‚ÌŠÇ—ChwŽæ’²‚ׂ̐S—ŠwFŽ–ŽÀ’®Žæ‚Ì‚½‚ß‚Ì‘{¸–ʐږ@x‘æ‚SÍ, 
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Eƒ~ƒ‹ƒ“ & REƒuƒ‹i’˜jCŒ´ãài•Ò–ój, –k‘å˜H‘–[, pp. 67-88, 2003


ŒãˆÀ”ü‹ICg•½“cƒIƒŠƒU‚̉‰o‚ɂ‚¢‚Ä,h H’m”\Šw‰ïŒ¤‹†‰ïŽ‘—¿ SIG-SLUD-9804
(ƒ`ƒ…[ƒgƒŠƒAƒ‹), pp.31-36, 1999


ŒãˆÀ”ü‹ICgCŽm˜_•¶‚ÌŠT—vF•½“cƒIƒŠƒU‚̉‰o@“¯Žž‘½”­‰ï˜b‚É‚¨‚¯‚ég‘Ì‚Ì’²®‰ß’ö
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h @‚Ђ‚¶‘–[ƒz[ƒ€ƒy[ƒW uOn Line –¢’èev ‘æ‚P‰ñ@1998


ŒãˆÀ”ü‹ICg•½“cƒIƒŠƒU‚̉‰oF“¯Žž‘½”­‰ï˜b‚É‚¨‚¯‚ég‘Ì‚Ì’²®‰ß’ö‚Ì•ªÍ,h
•½¬‚X”N“x“Œ‹ž‘åŠw‘åŠw‰@‹³ˆçŠwŒ¤‹†‰ÈCŽm˜_•¶i–¢ŒöŠ§j, 1998


ŒãˆÀ”ü‹ICg•·‚«‘‚«‚É‚¨‚¯‚éˆêlÌuŽ„v‚ª•¶‘Ì‚É‹y‚Ú‚·‰e‹¿,h
•½¬‚V”N“x“Œ‹ž‘åŠw‹³ˆçŠw•”‘²‹Æ˜_•¶i–¢ŒöŠ§j, 1996